![]() ![]() Second, you lose the nice stereo effect that you can get when you keep the two sounds on separate channels, with two amps. First of all, because you are blending the two sounds, if you add an effect to one, you are adding an effect to both. But it important to note that there are some limitations to your tonal range when you do this. I can get a nice blend of an acoustic and magnetic pickup sound using the above methods. But sometimes adding a bit of punch to the mag sound can create a magical result when blended with the piezo sound. When I do, I generally find that it is best to keep the gain down. I also have experimented with using a tube guitar preamp on the mag pickup sound. I don't generally like to blend the bridge pickup by itself with the piezo sound, unless I dial the volume back a bit and turn the tone down. Sometimes, I like the neck and bridge pickups combined sound. In some cases, I like the neck pickup best. I experiment a lot with the mag pickup stream's sound. Then I make the profile.Ī few notes are warranted here. I use a good condenser mic on the L2M, which is connected to the Kemper's input. The Mackie is connected to a Line 6 L2M FRFR powered speaker, set to flat. Whatever method I use to set up the mag pickups output, that stream goes to the Mackie on a second channel. The trick is to keep the magnetic signal clean so it blends really well with the piezo signal. The idea is to add a bit of tube amp feel, not to add drive. If I do that, I set the plugin to a very clean output. Or I sometimes connect my guitar to a Hi Z input on my Apollo and select a Unison amp sim plugin. I turn the compressor off, and set the EQ to flat, just using the gain to add a little to the signal. To fatten the signal up a bit, I occasionally connect the JDV to an Apollo mic input and load a Neve 1073 channel strip. For quick results I use a Radial JDV direct box which connects to another channel on the mixer. I have two methods I use to get the sound from my guitar's magnetic pickups. With either method, I connect the output to a channel on my Mackie mixer. It just sounds more piezo and Woodworks sounds more acoustic. The Aura has some nice models of acoustic guitars, but Woodworks is even better at making a piezo pickup sound like a totally acoustic guitar with a mic on it. Then I load the Sound Machine Woodworks plugin. However, if I want to really emphasize a more mic'd up acoustic sound, I connect to my Universal Audio Apollo. Usually, I connect the piezo output of my Duotone to my Fishman Aura preamp. Remember that you can use multiple streams of audio to make a profile as long as you have a mixer that can mix to a mono output. You will need a mic, a mixer, and a FRFR powered cab. There are two key factors you need to keep in mind in order to get a good result. The Duotone has both types of pickups and both are available on separate outputs. I have a Hamer Duotone which I use to do a profile of piezo blended with magnetic pickups. Has anyone figured out a way to get a great blended acoustic and electric sound? I should probably add this to the feature request posts rather than here. ![]() Alternatively, they could just add the ability to assign the rear inputs to the parallel signal path (for some effects) simultaneously with the front input going to the other side of the parallel path for the electric. ![]() If you could use the Front input for Electric signals and the Alternative Input or Return Input on the rear for the Piezo signal, the two signal paths could remain completely independent until the main output.Įlectric would go through the Stack including the cabinet block but the alternative input would bypass all of this and probably enter the signal path just before the reverb. ELECTRIC GUITAR WITH PIEZO UPDATEHowever, it should be possible to add this feature (if it doesn't already exist and I just haven't figured it out yet) in a firmware update like the parallel path feature. ![]() I know that the main input sockets are mono so clearly it wouldn't be possible to send both signals into the front input without Kemper redesigning the hardware. It's not the end of the world but it would be REALLY cool to be able to do everything within the Kemper for convenience and total control. I could still do that with the Kemper although it would mean having extra power to front of stage and a separate stand-alone pre amp pedal. I could mute or activate either signal at the touch of a button. I ran the other output straight into a little Session Gordon Giltrap GC10 preamp and XLR out from there to the PA. I ran one output from guitar to my RJM Mastermind PBC which went through all my pedals etc and into the guitar amp. Yes, that's pretty much what I was doing with my old amp and pedal board setup. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |